Metawave
Lithica
Metawave explores atmosphere, emotion and the way matter becomes meaning. Lithica turns that gaze toward the mineral world: crystals, stones, carved forms and natural geometry rendered as high-end, painterly still lifes.
Each piece is algorithmically generated from a unique seed and trait configuration.
Generation 012 · Lithica
Lithica
Lithica is a 444-token generative collection interpreting the quiet majesty of minerals — amethyst, quartz, rose crystal, obsidian, polished agate, fluorite, selenite, moonstone and more.
Each piece treats stone as sculpture, arranging facets, translucency, reflections and textures into premium aesthetic compositions. The collection leans gently feminine: soft palettes, pearlescent gradients, warm glows, silky shadows and elegant still-life framing.
Some artworks resemble museum-lit geological samples. Others feel like dreamlike altars, crystal grids or carved monoliths from forgotten worlds. The style blends fine-art realism, spiritual ambience and contemporary design minimalism.
Selected works
View full gallery →A small sample from the Lithica collection.
Concept
Lithica asks a simple question:
What if crystals were treated as high art — not décor, but poetry in matter?
Stones hold time.
Crystals hold light.
And every fracture, vein and facet is a story.
This collection builds each artwork from traits like mineral type, cut, formation, palette, surface texture, arrangement style and lighting mood. Some tokens present raw natural clusters. Others show carved geometric forms, polished jewel-like slices, or surreal crystalline sculptures.
Light becomes the narrator: diffused daylight, soft glow through translucent quartz, moonlit shimmer on obsidian, museum spotlights illuminating amethyst interiors.
The result: meditative, premium still lifes that feel both ancient and modern.
Mint
Minting for Lithica is coming soon.
Follow for updates and release details as the series approaches launch.
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Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Punk AI
Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Planktos
Planktos is a generative collection of ultra-photorealistic plankton portraits: microscopic drifters rendered as luminous, sculptural worlds of glass, light and colour.
Super 7
Super-7 is a generative animated cinematic collection of heroes and villains, following seven legendary power archetypes across 777 high-energy scenes of destiny, conflict and hope.
Sonata
Sonata is an exploration of lyrical linework — portraits rendered as musical gestures. Each artwork depicts a stylised subject drawn with expressive ink contours and accented with rhythmic colour strokes that echo jazz improvisation.
The figure is intentionally minimal yet emotionally resonant: posture, flow, and gesture become the instruments of expression. Colours do not fill forms; they highlight them, tracing movement and emotion like notes on a stave.
These portraits sit between fashion illustration, expressive calligraphy, and chromatic rhythm — a visual sonata written in ink.