Metawave

Katheros

Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.

Icon

Icon is a body of work about symbols — how colour and form can carry meaning without words.

Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.

Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.

Chairs

Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.

Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.

The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.

Punk AI

Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.

Caustic

Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.

Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.

Dust

Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.

Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.

Trace

Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.

Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.

Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.

Spectra

Spectra is a study of matter revealed as light.

Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.

Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.

Remanence

Remanence is a study of the human face recorded as light over time.

Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.

These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.

Advent Nights

Advent Nights is a generative collection of quiet winter cityscapes — hand-inked lines, soft watercolour light, and Advent silence woven into architectural streets.

Savanna Spirit

Savanna Spirit is a generative fine‑art NFT collection celebrating the nobility and power of African wildlife through cubist geometry, sun‑baked colour and cinematic composition. A tribute to the living kingdoms of the savanna — lions, elephants, giraffes, zebras and more — rendered in fractured planes, bold contours and heat‑haze atmosphere.

Mama

Mama is a generative portrait collection honouring the strength, tenderness and quiet power of African and diasporic womanhood — ink-and-watercolour silhouettes rendered as fine-art mixed media.