Metawave
Remanence
Metawave is a generative art project exploring what remains after an image fails to resolve. Remanence records facial form as persistence rather than likeness.
Each piece is algorithmically generated from a unique seed and trait configuration.
Generation 035 · Remanence
Remanence
Remanence explores the human face as a temporal phenomenon rather than a fixed image. Each work records a facial form across time, allowing motion and exposure to fracture identity into visible echoes.
The faces in this collection are constructed from sparse points of light and recorded through long‑exposure spectral accumulation. Red‑shift and blue‑shift afterimages appear as the face moves through the exposure, revealing multiple moments at once.
Remanence does not seek likeness or personality. It presents the face as persistence — a signal stretched across time until only its residue remains.
Selected works
View full gallery →A small sample from the Remanence collection.
Concept
Remanence begins with the premise that the human face is not a static object, but a structure that exists across time. Rather than depicting a single moment, each work records a facial form as it moves through the duration of an exposure.
The faces are rendered as sparse point clouds, ensuring that no image resolves into photography. Facial landmarks such as the nose and eyelids remain legible, but surfaces never close and identity never stabilises.
As the face moves, light separates by wavelength. Red‑shift and blue‑shift echoes emerge as temporal afterimages, revealing earlier and later moments within the same frame. These echoes are not decorative effects, but optical consequences of motion and exposure.
The resulting images function as evidence rather than depiction. Remanence treats portraiture as a record of persistence — what survives once time is allowed to act on form.
Mint
Minting for Remanence is coming soon.
Follow for updates and release details as the series approaches launch.
Join the Remanence Mint Whitelist for a 50% Early Adopter Discount →Other Collections
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Punk AI
Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Infernalis
Infernalis takes place in a house of portraits that does not exist on any map.
Along its corridors, a quiet procession of faces waits in the half-light: strangers who feel alarmingly familiar, as if they have stepped out of an unfinished memory. Each painting shows a single figure, standing or seated, with bleach-white skin and crimson lips, dressed in garments that belong to no fixed time. They are neither saints nor villains, only people caught in a moment of being seen.
Planktos
Planktos is a generative collection of ultra-photorealistic plankton portraits: microscopic drifters rendered as luminous, sculptural worlds of glass, light and colour.
Super 7
Super-7 is a generative animated cinematic collection of heroes and villains, following seven legendary power archetypes across 777 high-energy scenes of destiny, conflict and hope.