Metawave
Fjords
Metawave presents Fjords — a cinematic portrait series of the North’s most majestic landscapes.
Each piece is algorithmically generated from a unique seed and trait configuration.
Generation 023 · Fjords
Fjords
Fjords captures the rare beauty of glacial valleys where mountains plunge into deep, cold water and weather transforms the world by the minute.
Some tokens depict quiet dawns: pale light flattening the sea, fog weaving between cliffs, a single cabin glowing on a distant shoreline. Others show raw power — thunderclouds stacking into cathedral-like formations, lightning illuminating sheer rock walls, or storm fronts rolling through the fjord like living architecture.
The collection is entirely photorealistic. No fantasy. No surreal colour. Only the immense poetry of nature, observed through the lens of high-end landscape photography.
Selected works
View full gallery →A small sample from the Fjords collection.
Concept
Fjords is built from real environmental physics: Nordic light behaviour, water reflectivity, mountain shadow patterns, fog density scattering, snow textures, storm cloud structures, and auroral dynamics.
The system composes scenes from plausible fjord geometries — narrow canyons, basin fjords, cliff faces, islands, waterfalls, frozen winter passages — then layers atmosphere, season, and light to create a world that feels both untouched and alive.
The goal is to simulate photographic truth: detail, mood, depth, silence, drama and the sense of standing somewhere real.
Mint
Minting for Fjords is coming soon.
Follow for updates and release details as the series approaches launch.
Join the Fjords Mint Whitelist for a 50% Early Adopter Discount →Other Collections
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Punk AI
Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Rise of the Soul
Rise of the Soul is a generative animated fine‑art collection inspired by Dante’s Divine Comedy — a pilgrimage through Inferno, Purgatorio and Paradiso, following a small cloaked soul as it journeys from cavernous fire and storm into radiant skies of living light.
Inked
Inked is a 444-piece generative fine-art collection exploring human skin as a living canvas — simple and intricate designs on men and women of many ethnicities, photographed in soft, cinematic light with a focus on ink, form and quiet emotion.
Jesus
Jesus is a devotional work on the life of Christ — a sequence of portraits and scenes formed in copper wire, set against a pale canvas with subtle accents of colour.
Each image pauses with a moment from the Gospels: the ordinary touched by grace, the wounded met without judgment, the unseen called gently into belonging.
This collection does not seek to explain. It offers stillness, inviting memory, mercy, and recognition to surface in their own time.