Metawave
Rise of the Soul
Metawave is a generative art project exploring resonance, story and the long journey of the soul toward light. Rise of the Soul is a hand‑painted animated pilgrimage through Inferno, Purgatorio and Paradiso — wide fantasy landscapes where a small cloaked pilgrim walks from fire and shadow into mist, dawn and blazing glory.
Each piece is algorithmically generated from a unique seed and trait configuration.
Generation 006 · Rise of the Soul
Rise of the Soul
Rise of the Soul is a 999‑piece animated collection inspired by Dante Alighieri’s Divine Comedy. Each work is a cinematic frame from an imagined film: soft watercolor brushstrokes, drifting embers or petals, deep atmospheric perspective, and one tiny traveller crossing vast realms.
Inferno scenes are rare: cavernous chasms, spiralling pits, ember‑lit ruins and storm‑torn skies. Purgatorio pieces climb through misty terraces, dawn‑lit stairways and quiet mountain gardens. Paradiso is the most abundant — open heavens of cloud and music‑like architecture, concentric rings of light and cities that seem to be made from air.
Selected works
View full gallery →A small sample from the Rise of the Soul collection.
Concept
Rise of the Soul asks what happens when you treat a classic spiritual poem as a visual journey instead of a text to illustrate. The focus is not on literal episodes or theology debates, but on landscape, light and the emotional arc of ascent.
Each artwork begins as a structured set of traits — realm, terrain, sky, light, palette, symbols, emotional tone — then unfolds into a wide hand‑painted fantasy scene. Human figures remain small and simple, almost swallowed by the scale of caverns, mountains and skies, emphasising how tiny the soul appears against eternity.
The collection moves from darkness to greater and greater light. Inferno is symbolic fire and storm, Purgatorio is struggle and cleansing, Paradiso is vast harmony and joy — a slow, reverent climb toward radiance.
Mint
Minting for Rise of the Soul is coming soon.
Follow for updates and release details as the series approaches launch.
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Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Punk AI
Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Lithica
Lithica is a 444-piece fine-art generative study of crystals, minerals and carved stone forms — amethyst clusters, quartz prisms, polished agates, raw geodes, carved monoliths and gemstone fragments. Each artwork blends geological realism with poetic abstraction, creating premium, feminine-leaning compositions designed for collectors who love refined aesthetics, natural beauty and tactile stillness.
Planktos
Planktos is a generative collection of ultra-photorealistic plankton portraits: microscopic drifters rendered as luminous, sculptural worlds of glass, light and colour.
Inked
Inked is a 444-piece generative fine-art collection exploring human skin as a living canvas — simple and intricate designs on men and women of many ethnicities, photographed in soft, cinematic light with a focus on ink, form and quiet emotion.