Metawave
Planktos
Metawave is a generative art project exploring resonance, structure and the emotional life of images. Planktos turns the tiniest ocean drifters into monumental, luminous portraits — ultra-photorealistic plankton rendered as if seen through a macro lens in deep, quiet water.
Each piece is algorithmically generated from a unique seed and trait configuration.
Generation 015 · Planktos
Planktos
Planktos is a collection of generative artworks inspired by microscopic plankton and marine microorganisms. Each piece imagines a single organism suspended in dark water or soft laboratory light: translucent shells, iridescent silica, cilia and spines catching colour in the deep.
The images are described in prompts as if they were ultra close-up macro photographs — a single form in sharp focus, drifting against a simple background. Traits such as species form, shell architecture, bioluminescent pattern, colour spectrum, environment and energy state combine into portraits that feel both scientific and otherworldly.
The aim is to make the unseen world feel vast and intimate at once: tiny drifting lives rendered on a monumental scale, each one a quiet cosmos of light, structure and motion.
Selected works
View full gallery →A small sample from the Planktos collection.
Concept
Planktos asks what happens when the smallest architectures of life are treated like fine sculpture.
Each artwork begins as a set of abstract traits: type of organism, shell structure, translucency, patterning, bioluminescent glow, background environment and mood. The prompts describe those traits in the language of extreme macro realism: a single organism, suspended, softly lit, its structure revealed in glass-like detail.
Rather than treating plankton as clinical specimens, Planktos leans into reverence. The organisms are rendered as if they were fragile blown glass, celestial bodies or tiny cathedrals of silica and chitin. Dark backgrounds become space; halos of light suggest energy fields; shallow depth of field turns the surrounding water into pure colour and blur.
The collection lives where microscopy, astronomy and sculpture overlap: a series of portraits of drifters that quietly hold up the world.
Mint
Minting for Planktos is coming soon.
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Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Punk AI
Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.
Worlds
Worlds is a generative collection of vast, photorealistic planets and moons in deep space: distant exoplanets rendered with cinematic realism and quiet cosmic awe.
Super 7
Super-7 is a generative animated cinematic collection of heroes and villains, following seven legendary power archetypes across 777 high-energy scenes of destiny, conflict and hope.
Inked
Inked is a 444-piece generative fine-art collection exploring human skin as a living canvas — simple and intricate designs on men and women of many ethnicities, photographed in soft, cinematic light with a focus on ink, form and quiet emotion.