Metawave
Spectra
Metawave is a generative art project exploring light as evidence rather than image. Spectra is a long-exposure study of matter revealed as light — minimal spectral fields with museum restraint.
Each piece is algorithmically generated from a unique seed and trait configuration.
Generation 034 · Spectra
Spectra
Spectra renders compounds and materials as long-exposure spectral fields: bands and lines held on deep charcoal with optical calm. No grids. No labels. No diagrams — only signature.
Selected works
View full gallery →A small sample from the Spectra collection.
Concept
Spectra is built from a fixed set of traits — molecule regime, spectrum mode, exposure, field geometry, bloom, background, noise floor, and line density. A carefully written prompt then renders an archival spectral field with quiet optical truth cues: subtle diffusion, restrained halation, fine grain, and disciplined negative space.
The work carries an embedded contrast between material regimes — hydrocarbons, nuclear fuels, clean energy materials, and metal alloys — expressed only through differences in spectral structure.
Mint
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Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Punk AI
Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Super 7
Super-7 is a generative animated cinematic collection of heroes and villains, following seven legendary power archetypes across 777 high-energy scenes of destiny, conflict and hope.
Maria
Maria is a classical fine-art interpretation of the life of Mary, Mother of Jesus — rendered in the sculptural and fresco tradition of the High Renaissance. Every piece reflects reverence, theological fidelity, and the contemplative beauty associated with Michelangelo’s sacred art.
Scenes span from the Annunciation to the Assumption, including canonical moments where Christ appears, and angelic presence only where Scripture and tradition place them. Apparition iconography is represented artistically, not literally, with respect for each tradition’s symbolism.
Woman in Vogue
Woman in Vogue is a 222-piece generative fashion-portrait collection reimagining the feminine figure as an abstract editorial icon — bold colour fields, flowing linework and pure silhouette without logos or branding.