Metawave
Wonderland
Metawave explores the emotional life of images through generative art. Wonderland follows a single recurring traveller — a cybernetic white rabbit — moving through places stitched from history, dream and neon‑lit imagination.
Each piece is algorithmically generated from a unique seed and trait configuration.
Generation 018 · Wonderland
Wonderland
Wonderland is a journey told in scenes. Each image captures a different place the cybernetic rabbit passes through: a desert shrine at dawn, a harbour glowing with lantern light, a cliffside walkway under aurora skies, a future alley humming with neon.
The rabbit appears softly, never intrusive — perched on a ledge, pausing at a gate, crossing a bridge, or flickering as a hologram. Its presence binds the worlds together. Though the landscapes draw from cultures and historical textures across Earth, nothing here is literal. Every location is a reinterpretation: a memory, a cinematic echo, a dream refracted through clean‑anime linework and neon cyberpop light.
Selected works
View full gallery →A small sample from the Wonderland collection.
Concept
What if a collection were not about characters alone, nor places alone, but the thread between them?
Wonderland uses traits as world‑building coordinates — region, era, environment, idea, weather, motif — and then anchors every scene with a single recurring figure: the cybernetic white rabbit.
The rabbit behaves like a guide, a witness, or a glitch in reality. Sometimes it is close; sometimes nearly hidden. Its poses shift with the environment: resting beneath a tree, leaping through mist, standing at a threshold, or manifesting as a projected beacon. In every case, the place remains the protagonist — the rabbit only reveals that these worlds are connected.
The clean‑anime, neon‑cyberpop style brings cohesion across centuries and continents, allowing ancient stone, soft dawn haze and futuristic glow to coexist within the same visual universe.
Mint
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Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Punk AI
Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Vintage Interiors
Vintage Interiors is a 222-piece generative fine-art collection exploring the charm, character and quiet drama of retro and mid-century rooms — living spaces, bathrooms, kitchens and studies filled with warm textures, vintage objects and bohemian details, all without modern branding or logos.
Bugs
Bugs is a generative macro-photography collection focused on ultra-realistic, up-close portraits of garden insects. Each image is rendered as if shot with a professional macro lens: shallow depth of field, crisp anatomical detail, natural light and organic environments — revealing an entire hidden world living on petals, leaves, moss and bark.
Girl Dinners
Girl Dinners is a generative fine-art collection celebrating the quiet ritual of assembling a beautiful, intimate meal. Inspired by real kitchens, tiny moments, global traditions and soft-evening aesthetics, each artwork captures the balance of nourishment, mood, colour and composition. Healthy, varied, comforting, inventive — the dinner you make for yourself, and the one that tells its own story.