Metawave
Wonderland
Metawave explores the emotional life of images through generative art. Wonderland follows a single recurring traveller — a cybernetic white rabbit — moving through places stitched from history, dream and neon‑lit imagination.
Each piece is algorithmically generated from a unique seed and trait configuration.
Generation 018 · Wonderland
Wonderland
Wonderland is a journey told in scenes. Each image captures a different place the cybernetic rabbit passes through: a desert shrine at dawn, a harbour glowing with lantern light, a cliffside walkway under aurora skies, a future alley humming with neon.
The rabbit appears softly, never intrusive — perched on a ledge, pausing at a gate, crossing a bridge, or flickering as a hologram. Its presence binds the worlds together. Though the landscapes draw from cultures and historical textures across Earth, nothing here is literal. Every location is a reinterpretation: a memory, a cinematic echo, a dream refracted through clean‑anime linework and neon cyberpop light.
Selected works
View full gallery →A small sample from the Wonderland collection.
Concept
What if a collection were not about characters alone, nor places alone, but the thread between them?
Wonderland uses traits as world‑building coordinates — region, era, environment, idea, weather, motif — and then anchors every scene with a single recurring figure: the cybernetic white rabbit.
The rabbit behaves like a guide, a witness, or a glitch in reality. Sometimes it is close; sometimes nearly hidden. Its poses shift with the environment: resting beneath a tree, leaping through mist, standing at a threshold, or manifesting as a projected beacon. In every case, the place remains the protagonist — the rabbit only reveals that these worlds are connected.
The clean‑anime, neon‑cyberpop style brings cohesion across centuries and continents, allowing ancient stone, soft dawn haze and futuristic glow to coexist within the same visual universe.
Mint
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Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Punk AI
Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Refractions
Refractions is an ultra-photorealistic study of what happens when light passes through matter — glass, water, crystal, lenses, droplets, prisms and polished solids.
Each piece captures the physics of bending, splitting and scattering: rainbow dispersion through a triangular prism, caustics rippling across a tabletop, warped backgrounds seen through thick glass, and spectral shards thrown from cut crystal and gemstones.
Elements
Elements is a generative art NFT collection exploring the four classical elements — earth, air, fire and water — as living waves. Each piece is a photorealistic study of motion and force, where sand, smoke, flame and water curl, collide and flow in cinematic light.
Plastica
Plastica is a museum-grade study of small manufactured wonders — capsule toys photographed like priceless artifacts. Each piece is a hyper-detailed close-up: injection-mould seams, micro-scratches, glossy highlights, matte scuffs, and the quiet geometry of plastic designed for play.
A signature element returns throughout the collection: the opened yellow capsule — a mundane container elevated into an icon. Arranged with curatorial restraint, Plastica treats the tiny, the mass-produced, and the forgotten as objects worthy of archival attention.