Metawave

Manifesto

Katheros

444 Tokens

Katheros is an exploration of purity — geometry distilled into ink, light and intention.

Pure Form

Geometry is the oldest art: circles drawn in dust, lines carved into stone, patterns woven into cloth. Katheros continues that lineage with a digital hand, reducing visuals to their simplest possible language — line, curve, point, wave.

Sacred Silence

These works borrow the calm of sacred geometry without claiming its mysticism. They lean feminine through softness of palette, elegance of proportion and quiet, balanced compositions. They lean mathematical through structure, ratio and precision.

The result is neither spiritual diagram nor scientific plot, but something that sits between them.

Interference and Order

Katheros celebrates both perfect symmetry and its collapse — interference patterns, wave collisions, fractal seeding, lattices that dissolve at their edges. Purity does not mean sterility; even simple systems contain complexity.

Minimalism as Devotion

Each artwork is an act of restraint. A reminder that beauty often lives in the fewest possible strokes. In white space. In the silence where form rests.

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Other Collections

Generation 021
Released

Dust

Dust #65
Dust #91
Dust #54
Dust #60

Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.

Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.

Mint at $60 · Prints from £45
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Generation 035
Released

Remanence

Remanence #9
Remanence #1
Remanence #5
Remanence #20

Remanence is a study of the human face recorded as light over time.

Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.

These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.

Mint at $115 · Prints from £60
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Generation 027
Released

Glitch

Glitch #13
Glitch #92
Glitch #87
Glitch #100

Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.

This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.

Mint at $48 · Prints from £45
View Collection →