Manifesto
Vestige
200 Tokens
They might be monuments to a vanished people. They might be the people themselves.
Vestige presents a population without a history we can verify. Across volcanic plains, cliffs, caves and excavation cuts, monumental figures retain individual faces, social distinctions and the quiet signs of a culture that never entered our record. Their material is unmistakable: stone with pores, fractures, pigment, sediment and weather. Their presence is less certain. A face may be a portrait of the dead, a being mineralised in place, or a subject that has simply learned to remain still. The archive does not decide.
Other Collections
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.