Maria · Token Detail
Maria #45
Each image in Maria is composed as a devotional artwork: marble-toned sculpture, fresco-like figures, realistic Renaissance drapery, correct anatomy, modest poses, and symbolic attributes rooted in Catholic tradition.
Scenes include the Annunciation, Visitation, Nativity, Pietà, Pentecost, Assumption and Coronation — as well as artistic interpretations of Marian apparition iconography (e.g., Lourdes, Fatima, Guadalupe) expressed through classical visual motifs rather than literal depictions.
Christ appears only in canonical contexts, and angelic figures only where Scripture or tradition places them. All works reflect reverence and sacred intention.
Token information
- Collection
- Maria
- Token ID
- #45
- Apparition Style
- Classical Madonna
- Medium
- Marble Sculpture
- Symbols
- Blue Mantle
- Atmosphere
- Warm Renaissance Light
- Rarity
- Common
Owner information
More from Maria
Other Collections
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.