Manifesto
Katheros
444 Tokens
Katheros is an exploration of purity — geometry distilled into ink, light and intention.
Pure Form
Geometry is the oldest art: circles drawn in dust, lines carved into stone, patterns woven into cloth. Katheros continues that lineage with a digital hand, reducing visuals to their simplest possible language — line, curve, point, wave.
Sacred Silence
These works borrow the calm of sacred geometry without claiming its mysticism. They lean feminine through softness of palette, elegance of proportion and quiet, balanced compositions. They lean mathematical through structure, ratio and precision.
The result is neither spiritual diagram nor scientific plot, but something that sits between them.
Interference and Order
Katheros celebrates both perfect symmetry and its collapse — interference patterns, wave collisions, fractal seeding, lattices that dissolve at their edges. Purity does not mean sterility; even simple systems contain complexity.
Minimalism as Devotion
Each artwork is an act of restraint. A reminder that beauty often lives in the fewest possible strokes. In white space. In the silence where form rests.
Other Collections
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.