Manifesto
Katheros
444 Tokens
Katheros is an exploration of purity — geometry distilled into ink, light and intention.
Pure Form
Geometry is the oldest art: circles drawn in dust, lines carved into stone, patterns woven into cloth. Katheros continues that lineage with a digital hand, reducing visuals to their simplest possible language — line, curve, point, wave.
Sacred Silence
These works borrow the calm of sacred geometry without claiming its mysticism. They lean feminine through softness of palette, elegance of proportion and quiet, balanced compositions. They lean mathematical through structure, ratio and precision.
The result is neither spiritual diagram nor scientific plot, but something that sits between them.
Interference and Order
Katheros celebrates both perfect symmetry and its collapse — interference patterns, wave collisions, fractal seeding, lattices that dissolve at their edges. Purity does not mean sterility; even simple systems contain complexity.
Minimalism as Devotion
Each artwork is an act of restraint. A reminder that beauty often lives in the fewest possible strokes. In white space. In the silence where form rests.
Other Collections
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.