Katheros · Token Detail
Katheros #340
Katheros is a 444-piece geometric fine-art collection exploring purity of form. Each artwork is generated from structural traits like mandalas, wave interference, lattices, spirals and impossible shapes, paired with restrained palettes ranging from black-on-white to rare gold, vermilion and spectral multicolour variants. Line weight, ink texture, symmetry and density shape each composition, creating pieces that feel mathematical, meditative and quietly elegant.

Token information
- Collection
- Katheros
- Token ID
- #340
- Structure
- Line Field
- Palette
- Deep Graphite Grey
- Line Weight
- Medium
- Symmetry
- Bilateral Symmetry
- Density
- Light
- Ink Texture
- Soft Feathered Edges
- Composition
- Offset
- Rarity
- Common
Owner information
More from Katheros
Other Collections
Spectra




Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Chairs




Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.


