Chairs · Token Detail
Chairs #122
Each token in Chairs represents a fully realised sculptural design object: frames that loop, seats that over‑curve, backrests that split into expressive shapes, and structures that embrace artistic exaggeration rather than engineering logic.
Captured in studio‑grade lighting with fine‑art precision, each chair feels real while clearly belonging to the world of conceptual design.
Token information
- Collection
- Chairs
- Token ID
- #122
- Structural Philosophy
- Soft Modernist Echo
- Leg Architecture
- Split Taper Legs
- Seat Geometry
- Offset Plane Seat
- Backrest Logic
- Soft Curve Backrest
- Material Finish
- Matte Dust Surface
- Surface Patina
- Studio Clean
- Lens Style
- Softbox Flat Light
- Backdrop
- Warm Studio Beige
- Rarity
- Common
Owner information
More from Chairs
Other Collections
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.