Manifesto
Chairs
333 Tokens
Chairs is a celebration of sculptural design — where absurdity becomes elegance.
The Elegance of Exaggeration
The chair is one of the most recognisable forms in design — which makes it the perfect subject to reinterpret. In this collection, the familiar becomes expressive: forms that stretch, curve, loop, and contradict the expectations of functional furniture.
Hyperrealism as Artistic Device
Every piece is rendered as though photographed in a museum studio: perfect lighting, clean materials, refined craftsmanship. Yet the geometry steps beyond practicality into sculptural experimentation.
Quiet Absurdism
There is no chaos, no distortion — only design pushed into poetic exaggeration. The chairs feel like icons of a parallel design tradition: expressive, refined, and intentionally impractical.
Chairs transforms sculptural absurdity into design.
Other Collections
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.