Metawave
Advent Nights
Metawave is a generative art project exploring resonance, silence and the way light rests on structure. Advent Nights is a series of quiet winter streets and riversides — hand-inked architectural sketches washed with soft watercolour light, holding the hush and expectancy of Advent nights.
Each piece is algorithmically generated from a unique seed and trait configuration.
Generation 001 · Advent Nights
Advent Nights
Advent Nights is a collection of generative winter streetscapes: narrow lanes, bridges, courtyards and riversides resting under snow. Hand-inked architectural lines meet soft, muted indigo and pewter washes, punctuated by candle-gold windows and lanterns. Each scene is built from traits — setting, perspective, weather, symbols — and rendered into imagery that feels like a place you could stand and listen to the quiet.
Selected works
View full gallery →A small sample from the Advent Nights collection.
Concept
Advent Nights explores what happens when code paints a city that can hold silence. Each piece begins as a structured set of traits — setting, time, weather, perspective, symbols and rarity — and is described in a careful text prompt. From there, the generative process renders quiet streets where stone, snow and light meet.
The aim is not spectacle but tenderness: muted palettes, small lights in windows, long perspectives that invite you to walk inward. It is a collaboration between code, imagery and a very human desire for places that feel still, watchful and full of Advent anticipation.
Mint
Minting for Advent Nights is coming soon.
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Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Punk AI
Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Fjords
Fjords is an ultra-photorealistic landscape study of Norway’s most dramatic coastlines — towering cliffs, deep glacial waters, drifting fog, storms rolling across narrow inlets, and rare moments of aurora sweeping through winter skies.
Each image is a cinematic still of real atmosphere: crisp morning light, blue-hour silence, snowfall softening the world, lightning carving the sky, or golden beams breaking through storm walls.
Vintage Interiors
Vintage Interiors is a 222-piece generative fine-art collection exploring the charm, character and quiet drama of retro and mid-century rooms — living spaces, bathrooms, kitchens and studies filled with warm textures, vintage objects and bohemian details, all without modern branding or logos.
一期一会 東京 (Tokyo Once)
一期一会 東京 (Tokyo Once) is a 1000-piece ultra-photorealistic 1980s film-grain generative photography collection, capturing fleeting night, dawn and blue hour moments in Tokyo as remembered by a love that only happened once.