Metawave
Advent Nights
Metawave is a generative art project exploring resonance, silence and the way light rests on structure. Advent Nights is a series of quiet winter streets and riversides — hand-inked architectural sketches washed with soft watercolour light, holding the hush and expectancy of Advent nights.
Each piece is algorithmically generated from a unique seed and trait configuration.
Generation 001 · Advent Nights
Advent Nights
Advent Nights is a collection of generative winter streetscapes: narrow lanes, bridges, courtyards and riversides resting under snow. Hand-inked architectural lines meet soft, muted indigo and pewter washes, punctuated by candle-gold windows and lanterns. Each scene is built from traits — setting, perspective, weather, symbols — and rendered into imagery that feels like a place you could stand and listen to the quiet.
Selected works
View full gallery →A small sample from the Advent Nights collection.
Concept
Advent Nights explores what happens when code paints a city that can hold silence. Each piece begins as a structured set of traits — setting, time, weather, perspective, symbols and rarity — and is described in a careful text prompt. From there, the generative process renders quiet streets where stone, snow and light meet.
The aim is not spectacle but tenderness: muted palettes, small lights in windows, long perspectives that invite you to walk inward. It is a collaboration between code, imagery and a very human desire for places that feel still, watchful and full of Advent anticipation.
Mint
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Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Punk AI
Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Worlds
Worlds is a generative collection of vast, photorealistic planets and moons in deep space: distant exoplanets rendered with cinematic realism and quiet cosmic awe.
Maria
Maria is a classical fine-art interpretation of the life of Mary, Mother of Jesus — rendered in the sculptural and fresco tradition of the High Renaissance. Every piece reflects reverence, theological fidelity, and the contemplative beauty associated with Michelangelo’s sacred art.
Scenes span from the Annunciation to the Assumption, including canonical moments where Christ appears, and angelic presence only where Scripture and tradition place them. Apparition iconography is represented artistically, not literally, with respect for each tradition’s symbolism.
Sonata
Sonata is an exploration of lyrical linework — portraits rendered as musical gestures. Each artwork depicts a stylised subject drawn with expressive ink contours and accented with rhythmic colour strokes that echo jazz improvisation.
The figure is intentionally minimal yet emotionally resonant: posture, flow, and gesture become the instruments of expression. Colours do not fill forms; they highlight them, tracing movement and emotion like notes on a stave.
These portraits sit between fashion illustration, expressive calligraphy, and chromatic rhythm — a visual sonata written in ink.