Vintage Interiors · Token Detail
Vintage Interiors #113
Vintage Interiors is a 222-piece generative art collection that reimagines interior design as cinematic photography. Each artwork depicts a single room or vignette — a bath, a sofa corner, a kitchen table, a reading chair — composed from traits such as room type, era, palette, lighting, focal furniture and decor. The visual style captures photorealistic detail through the aesthetic of 1980s film photography: subtle grain, warm color shifts, and authentic analog imperfections, creating spaces that feel lived-in, warm and quietly iconic.
There are no modern screens or brand names, only the enduring charm of analogue objects and the way light rests on them. The collection invites viewers and collectors to step into each room and imagine the life that unfolds there.
Token information
- Collection
- Vintage Interiors
- Token ID
- #113
- Room Type
- Bathroom
- Era / Style
- Mid-Century Modern
- Colour Palette
- Warm Mustard and Teal
- Lighting
- Golden Hour Beams
- Clutter Level
- Cozy with Objects
- Wall / Floor Detail
- Plain Painted Walls
- Rarity
- Common
Owner information
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Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.