Vintage Interiors · Token Detail
Vintage Interiors #10
Vintage Interiors is a 222-piece generative art collection that reimagines interior design as cinematic photography. Each artwork depicts a single room or vignette — a bath, a sofa corner, a kitchen table, a reading chair — composed from traits such as room type, era, palette, lighting, focal furniture and decor. The visual style captures photorealistic detail through the aesthetic of 1980s film photography: subtle grain, warm color shifts, and authentic analog imperfections, creating spaces that feel lived-in, warm and quietly iconic.
There are no modern screens or brand names, only the enduring charm of analogue objects and the way light rests on them. The collection invites viewers and collectors to step into each room and imagine the life that unfolds there.
Token information
- Collection
- Vintage Interiors
- Token ID
- #10
- Room Type
- Bedroom
- Era / Style
- 1970s Bohemian
- Colour Palette
- Terracotta and Cream
- Lighting
- Warm Lamp-Lit Evening
- Clutter Level
- Cozy with Objects
- Wall / Floor Detail
- Wooden Floorboards
- Rarity
- Common
Owner information
More from Vintage Interiors
Other Collections
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.