一期一会 東京 (Tokyo Once) · Token Detail
一期一会 東京 (Tokyo Once) #915
一期一会 東京 (Tokyo Once) is a 1000‑piece generative fine‑art photo‑cinema collection inspired by the Japanese concept 一期一会 — Ichigo Ichie — “this moment exists only once.” The collection honors the beauty of fleeting connection and the memory of a love that shaped eternity. Each image is crafted in ultra‑realistic 1980s film‑grain photographic style: neon rain on wet pavement, cherry blossoms falling in blue hour light, silhouettes crossing bridges, empty shrine pathways, rooftop sunsets, and reflections moving like breath across glass and water. A tribute to Tokyo as the heart remembers it: quiet, luminous, unforgettable.

Token information
- Collection
- 一期一会 東京 (Tokyo Once)
- Token ID
- #915
- Location
- Shinjuku Side Alley Near Station
- Time / Light
- Overcast Blue Hour
- Weather / Atmosphere
- Lingering Mist After Rain
- Film Mood
- Cool Blue-Toned Night Film
- Colour Palette
- Neon Blue and Amber Reflections
- Composition / Depth
- Leading Lines from Street Markings
- Detail / Symbol
- Train Station Signage in Soft Focus
- Rarity
- Common
Owner information
More from 一期一会 東京 (Tokyo Once)
Other Collections
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Remanence




Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Spectra




Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.


