一期一会 東京 (Tokyo Once) · Token Detail
一期一会 東京 (Tokyo Once) #707
一期一会 東京 (Tokyo Once) is a 1000‑piece generative fine‑art photo‑cinema collection inspired by the Japanese concept 一期一会 — Ichigo Ichie — “this moment exists only once.” The collection honors the beauty of fleeting connection and the memory of a love that shaped eternity. Each image is crafted in ultra‑realistic 1980s film‑grain photographic style: neon rain on wet pavement, cherry blossoms falling in blue hour light, silhouettes crossing bridges, empty shrine pathways, rooftop sunsets, and reflections moving like breath across glass and water. A tribute to Tokyo as the heart remembers it: quiet, luminous, unforgettable.
Token information
- Collection
- 一期一会 東京 (Tokyo Once)
- Token ID
- #707
- Subject
- Lone Figure Crossing Street
- Time / Light
- Overcast Blue Hour
- Weather / Atmosphere
- Dry Night, Cool Air
- Film Mood
- Warm 1980s Colour Film Grain
- Colour Palette
- Cool Teal and Deep Navy Night
- Composition / Depth
- Centered Symmetry at Shrine Entrance
- Detail / Symbol
- Hanging Paper Lanterns
- Rarity
- Common
Owner information
More from 一期一会 東京 (Tokyo Once)
Other Collections
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.