Manifesto
Sonata
333 Tokens
Sonata is ink in motion — portraiture shaped by rhythm and emotional resonance.
A Portrait as a Song
What if a line could behave like a melody? What if a colour stroke could echo harmony? Sonata is built on that question — a visual composition where gesture becomes music.
Elegance Through Restraint
Each portrait begins with clean, deliberate ink contours. Nothing is over-defined. Everything essential is said in as few lines as possible. Colour is added sparingly, like jazz articulations around a theme.
Rhythm in Gesture
The figure is not static. She twists, leans, turns, suggests motion. The ink follows her, chasing the rhythm of posture — mapping emotion more than anatomy.
Sonata is the art of minimal marks carrying maximal feeling.
Other Collections
Glitch




Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Katheros




Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Remanence




Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.


