Remanence · Token Detail
Remanence #5
Each work in Remanence depicts a human face rendered as a spatial point cloud and recorded over time. Sparse point density preserves recognisable facial structure while preventing photographic resolution.
As the face moves through the exposure, wavelength separation produces temporal echoes in red and blue. These echoes act as visual records of duration, destabilising identity while preserving form.
Token information
- Collection
- Remanence
- Token ID
- #5
- Facial Archetype
- Female
- Presence
- Emergent
- Motion
- Drift
- Spectral Separation
- Minimal
- Chromatic Palette
- Red–Blue Shift
- Echo Count
- Double Echo
- Point Density
- Sparse
- Depth
- Shallow
- Exposure
- Long Exposure
- Interference
- Clean
- Background
- Charcoal
- Rarity
- Common
Owner information
More from Remanence
Other Collections
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.