Remanence · Token Detail
Remanence #11
Each work in Remanence depicts a human face rendered as a spatial point cloud and recorded over time. Sparse point density preserves recognisable facial structure while preventing photographic resolution.
As the face moves through the exposure, wavelength separation produces temporal echoes in red and blue. These echoes act as visual records of duration, destabilising identity while preserving form.

Token information
- Collection
- Remanence
- Token ID
- #11
- Facial Archetype
- Female
- Presence
- Emergent
- Motion
- Drift
- Spectral Separation
- Minimal
- Chromatic Palette
- Red–Blue Shift
- Echo Count
- Double Echo
- Point Density
- Sparse
- Depth
- Shallow
- Exposure
- Long Exposure
- Interference
- Clean
- Background
- Graphite
- Rarity
- Common
Owner information
More from Remanence
Other Collections
Katheros




Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Dust




Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Glitch




Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.


