Plastica · Token Detail
Plastica #395
Each token in Plastica presents a miniature capsule-toy artifact photographed in extreme close-up. The opened yellow capsule appears as a recurring curatorial motif, framing the object like a display case.
The focus is texture and material truth: seams, scratches, dust, gloss, and micro-geometry — the quiet poetry of plastic.
Token information
- Collection
- Plastica
- Token ID
- #395
- Artifact Type
- Mask Totem
- Capsule State
- Capsule Framing
- Backdrop
- Blueprint Grey
- Lighting
- Double-Source Studio
- Optics
- Ultra-Macro
- Condition
- Fracture Story
- Colourway
- Iridescent Sheen
- Layout
- Negative Space Monument
- Rarity
- Rare
Owner information
More from Plastica
Other Collections
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.