Planktos · Token Detail
Planktos #86
Every Planktos artwork is built from traits that describe a microscopic seascape: organism form, shell architecture, translucency, colour spectrum, bioluminescent markings, background environment and energy state. The resulting images feel like macro photographs taken at impossible resolution — fragile, luminous structures floating in still water, part scientific illustration and part dream.
Token information
- Collection
- Planktos
- Token ID
- #86
- Organism Form
- Diatom Rod Chain
- Shell Structure
- Sparse Spines
- Bioluminescence
- No Visible Glow
- Colour Spectrum
- Ghost White and Silver
- Environment
- Muted Teal Wash
- Energy State
- Barely Trembling
- Focus and Framing
- Slight Off-Center
- Rarity
- Common
Owner information
More from Planktos
Other Collections
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.