Planktos · Token Detail
Planktos #84
Every Planktos artwork is built from traits that describe a microscopic seascape: organism form, shell architecture, translucency, colour spectrum, bioluminescent markings, background environment and energy state. The resulting images feel like macro photographs taken at impossible resolution — fragile, luminous structures floating in still water, part scientific illustration and part dream.
Token information
- Collection
- Planktos
- Token ID
- #84
- Organism Form
- Helical Column Organism
- Shell Structure
- Spine Constellation
- Bioluminescence
- Clustered Biolume Patch
- Colour Spectrum
- Turquoise with Ember Core
- Environment
- Misty Water Depth
- Energy State
- Subtle Pulsation
- Focus and Framing
- Lower Third Placement
- Rarity
- Uncommon
Owner information
More from Planktos
Other Collections
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.