Maria · Token Detail
Maria #483
Each image in Maria is composed as a devotional artwork: marble-toned sculpture, fresco-like figures, realistic Renaissance drapery, correct anatomy, modest poses, and symbolic attributes rooted in Catholic tradition.
Scenes include the Annunciation, Visitation, Nativity, Pietà, Pentecost, Assumption and Coronation — as well as artistic interpretations of Marian apparition iconography (e.g., Lourdes, Fatima, Guadalupe) expressed through classical visual motifs rather than literal depictions.
Christ appears only in canonical contexts, and angelic figures only where Scripture or tradition places them. All works reflect reverence and sacred intention.
Token information
- Collection
- Maria
- Token ID
- #483
- Scene
- Assumption
- Apparition Style
- Our Lady of the Rosary
- Symbols
- Cherubic Clouds
- Atmosphere
- Ascending Light
- Rarity
- Epic
Owner information
More from Maria
Other Collections
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.