Mama · Token Detail
Mama #43
Every Mama portrait is built from traits that describe the figure's presence: age, afro style, headwrap or hair, clothing, jewellery, colour accents, expression, background texture and era. These combine into mixed-media images that feel like hand-painted prints — rich with texture, yet quiet enough to live easily on a wall.

Token information
- Collection
- Mama
- Token ID
- #43
- Gender
- Woman
- Age
- Adult
- Afro Style
- Soft Halo Afro
- Headwrap
- No Headwrap, Natural Hair
- Clothing
- Textured Fabric Blouse
- Jewellery
- Simple Hoop Earrings
- Colour Accents
- Deep Indigo and Teal
- Background Texture
- Clean Paper Negative Space
- Expression
- Gentle Joy
- Rarity
- Common
Owner information
More from Mama
Other Collections
Chairs




Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Trace




Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Remanence




Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.


