Katheros · Token Detail
Katheros #64
Katheros is a 444-piece geometric fine-art collection exploring purity of form. Each artwork is generated from structural traits like mandalas, wave interference, lattices, spirals and impossible shapes, paired with restrained palettes ranging from black-on-white to rare gold, vermilion and spectral multicolour variants. Line weight, ink texture, symmetry and density shape each composition, creating pieces that feel mathematical, meditative and quietly elegant.
Token information
- Collection
- Katheros
- Token ID
- #64
- Structure
- Line Field
- Palette
- Deep Graphite Grey
- Line Weight
- Ultra-Fine
- Symmetry
- Asymmetric Balance
- Density
- Medium
- Ink Texture
- Soft Feathered Edges
- Composition
- Offset
- Rarity
- Common
Owner information
More from Katheros
Other Collections
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.