Katheros · Token Detail
Katheros #149
Katheros is a 444-piece geometric fine-art collection exploring purity of form. Each artwork is generated from structural traits like mandalas, wave interference, lattices, spirals and impossible shapes, paired with restrained palettes ranging from black-on-white to rare gold, vermilion and spectral multicolour variants. Line weight, ink texture, symmetry and density shape each composition, creating pieces that feel mathematical, meditative and quietly elegant.
Token information
- Collection
- Katheros
- Token ID
- #149
- Structure
- Radial Mandala
- Palette
- Deep Graphite Grey
- Line Weight
- Fine
- Symmetry
- Radial Symmetry
- Density
- Minimal
- Ink Texture
- Clean Digital Ink
- Composition
- Offset
- Rarity
- Common
Owner information
More from Katheros
Other Collections
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.