Inked · Token Detail
Inked #38
Inked is a 444-piece generative collection that treats tattooed skin as a living gallery wall.
Each artwork focuses on a real-world tattoo placement — forearms, hands, shoulders, backs, ribs, necks, ankles and more — photographed or rendered in a photoreal, cinematic style. Traits define body area, ink style, theme, scale, colour palette, setting and lighting, allowing the system to generate a broad diversity of designs and subjects while keeping the mood cohesive: respectful, intimate, artful.
Skin tones range widely and intentionally, celebrating global diversity and how ink behaves across different complexions. Designs include botanicals, animals, sacred symbols, constellations, geometric forms, script and abstract marks. The result is a portrait series that balances realism with curation, making each token feel like a still from an unseen tattoo photography book.
Token information
- Collection
- Inked
- Token ID
- #38
- Subject
- Woman
- Skin Tone
- Light
- Placement
- Upper Arm
- Tattoo Style
- Line and Dotwork
- Tattoo Theme
- Celestial (stars, moons, constellations)
- Ink Palette
- Black and Soft Grey Shading
- Setting
- Soft Fabric or Bed Setting
- Lighting
- Soft Natural Window Light
- Rarity
- Common
Owner information
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Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.