Infernalis · Token Detail
Infernalis #69
Each Infernalis token is a doorway into the same unseen building.
You meet one person at a time: a young woman at a balcony, an older man in a marble hallway, a figure of no clear age paused beneath an archway. Their skin is always bleach-white, their lips always red — a fixed signature that binds the collection together like a dress code no one has explained.
Around that constant, everything else shifts. Faces grow older or younger. Hair appears or disappears, sometimes hidden under hoods, sometimes falling dark, pale or blood-red against the light. Eyes change colour and character — soft, guarded, distant, attentive. Rooms appear and reappear: staircases, courtyards, interiors lined with fabric and shadow.
Nothing overtly dramatic happens in these images. There are no monsters, no symbols to decode, no explicit narrative. Yet each portrait feels like a moment taken from a longer story: someone waiting to speak, or to leave, or simply to outlast the silence.
Seen together, the collection feels less like a gallery of characters and more like a single, continuous place that you are slowly learning how to walk through.

Token information
- Collection
- Infernalis
- Token ID
- #69
- Gender
- Man
- Age
- Young Adult
- Hair
- Shorn or Hooded
- Eyes
- Soft Brown Eyes
- Scene
- Marble Hallway
- Garment
- Simple Robe
- Composition
- Three-Quarter View
- Palette
- Warm Monochrome
- Rarity
- Common
Owner information
More from Infernalis
Other Collections
Dust




Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Katheros




Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Trace




Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.


