Mint
Glitch
512 Tokens
Glitch is an evolving field of generative destruction: fractured geometry, spectral tearing,
shattered grids, neon ruptures and structural failures cascading into new visual order.
Investment Warning
Cryptoassets are unregulated in the UK. Their value can go down or up, and you could lose all the money you invest. NFTs are not suitable for everyone. Please do your own research.
How minting works
Users connect their wallet using the Connect Wallet button in the header once minting is live.
Whitelist and public sale phases are managed by signatures and on-chain checks to ensure fairness.
Mint pricing and limits per address are enforced by the smart contract to maintain integrity.
Minting is on the Base blockchain, using USD Coin (USDC) for payments to minimize fees and ensure stability. A small amount of gas is needed on Base (Base ETH) to complete the transaction.
Minting is best performed on a desktop browser with MetaMask or a similar wallet extension for optimal experience. Alternatively, if you're on mobile, open the wallet's built-in browser (e.g., MetaMask mobile app) to mint directly.
Other Collections
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Katheros




Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Remanence




Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.


