Fjords · Token Detail
Fjords #316
Each Fjords token is a complete cinematic landscape: mountain walls, deep water, atmospheric layers, realistic clouds, snow or rain, and light behaviour consistent with high-end photography.
Scenes include dawn mist, heavy storm fronts, lightning strikes, aurora nights, winter whiteouts, and glass-calm golden hours. Human presence — a cabin, a ship, a road — appears rarely and subtly.
The result is an intimate portrait of northern wilderness, captured as if by a travelling photographer.
Token information
- Collection
- Fjords
- Token ID
- #316
- Time of Day
- Dawn Glow
- Season
- Summer Clarity
- Atmosphere
- Clear & Crisp Air
- Fjord Composition
- Sheer Cliff Walls
- Human Presence
- None
- Camera POV
- Shoreline View
- Rarity
- Common
Owner information
More from Fjords
Other Collections
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.