Fjords · Token Detail
Fjords #117
Each Fjords token is a complete cinematic landscape: mountain walls, deep water, atmospheric layers, realistic clouds, snow or rain, and light behaviour consistent with high-end photography.
Scenes include dawn mist, heavy storm fronts, lightning strikes, aurora nights, winter whiteouts, and glass-calm golden hours. Human presence — a cabin, a ship, a road — appears rarely and subtly.
The result is an intimate portrait of northern wilderness, captured as if by a travelling photographer.
Token information
- Collection
- Fjords
- Token ID
- #117
- Time of Day
- Overcast Noon
- Season
- Summer Clarity
- Atmosphere
- Gentle Drizzle
- Fjord Composition
- Wide Basin Fjord
- Human Presence
- None
- Camera POV
- Cliffside Overview
- Rarity
- Common
Owner information
More from Fjords
Other Collections
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.