Elements · Token Detail
Elements #251
Elements is a 444-piece generative art NFT collection that treats the four classical elements as pure motion. Each artwork depicts waves of earth, air, fire or water — sometimes fusing together — rendered as photorealistic, ultra-detailed digital images. The focus is on fluid dynamics, texture and light: sand shaped by wind into sweeping curves, smoke spiralling in the dark, flames twisting like ribbons, and ocean water crashing in frozen arcs. No people, no cities, only the raw beauty of elemental forces moving through space.

Token information
- Collection
- Elements
- Token ID
- #251
- Element
- Dual Element: Earth and Fire
- Wave Shape
- Colliding Opposing Waves
- Environment
- Mountain Silhouette
- Motion Mood
- Crashing Impact Moment
- Lighting
- Lightning Flash Illumination
- Colour Mood
- Volcanic Inferno Palette
- Rarity
- Rare
Owner information
More from Elements
Other Collections
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Glitch




Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Chairs




Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.


