Elements · Token Detail
Elements #206
Elements is a 444-piece generative art NFT collection that treats the four classical elements as pure motion. Each artwork depicts waves of earth, air, fire or water — sometimes fusing together — rendered as photorealistic, ultra-detailed digital images. The focus is on fluid dynamics, texture and light: sand shaped by wind into sweeping curves, smoke spiralling in the dark, flames twisting like ribbons, and ocean water crashing in frozen arcs. No people, no cities, only the raw beauty of elemental forces moving through space.
Token information
- Collection
- Elements
- Token ID
- #206
- Element
- Pure Water Wave
- Wave Shape
- Breaking Wall of Motion
- Environment
- Soft Gradient Background
- Motion Mood
- Calm Flowing Motion
- Lighting
- Neutral Studio Light
- Colour Mood
- Natural Element Colours
- Symbol
- No Visible Symbol
- Rarity
- Common
Owner information
More from Elements
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Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Chairs
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Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Remanence
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Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.