Elements · Token Detail
Elements #10
Elements is a 444-piece generative art NFT collection that treats the four classical elements as pure motion. Each artwork depicts waves of earth, air, fire or water — sometimes fusing together — rendered as photorealistic, ultra-detailed digital images. The focus is on fluid dynamics, texture and light: sand shaped by wind into sweeping curves, smoke spiralling in the dark, flames twisting like ribbons, and ocean water crashing in frozen arcs. No people, no cities, only the raw beauty of elemental forces moving through space.

Token information
- Collection
- Elements
- Token ID
- #10
- Element
- Dual Element: Air and Water
- Wave Shape
- Radiating Circular Ripples
- Scale
- Wide Cinematic Scene
- Environment
- Storm Cloud Backdrop
- Motion Mood
- Surging Forward Momentum
- Lighting
- Warm Golden Side Light
- Colour Mood
- Misty Pastel Smoke Palette
- Symbol
- Triangle or Sigil Motif
- Rarity
- Uncommon
Owner information
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Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
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Spectra




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Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Remanence




Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.


