Manifesto
Chairs
333 Tokens
Chairs is a celebration of sculptural design — where absurdity becomes elegance.
The Elegance of Exaggeration
The chair is one of the most recognisable forms in design — which makes it the perfect subject to reinterpret. In this collection, the familiar becomes expressive: forms that stretch, curve, loop, and contradict the expectations of functional furniture.
Hyperrealism as Artistic Device
Every piece is rendered as though photographed in a museum studio: perfect lighting, clean materials, refined craftsmanship. Yet the geometry steps beyond practicality into sculptural experimentation.
Quiet Absurdism
There is no chaos, no distortion — only design pushed into poetic exaggeration. The chairs feel like icons of a parallel design tradition: expressive, refined, and intentionally impractical.
Chairs transforms sculptural absurdity into design.
Other Collections
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Punk AI
Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.