Manifesto
Chairs
333 Tokens
Chairs is a celebration of sculptural design — where absurdity becomes elegance.
The Elegance of Exaggeration
The chair is one of the most recognisable forms in design — which makes it the perfect subject to reinterpret. In this collection, the familiar becomes expressive: forms that stretch, curve, loop, and contradict the expectations of functional furniture.
Hyperrealism as Artistic Device
Every piece is rendered as though photographed in a museum studio: perfect lighting, clean materials, refined craftsmanship. Yet the geometry steps beyond practicality into sculptural experimentation.
Quiet Absurdism
There is no chaos, no distortion — only design pushed into poetic exaggeration. The chairs feel like icons of a parallel design tradition: expressive, refined, and intentionally impractical.
Chairs transforms sculptural absurdity into design.
Other Collections
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.