Manifesto
Chairs
333 Tokens
Chairs is a celebration of sculptural design — where absurdity becomes elegance.
The Elegance of Exaggeration
The chair is one of the most recognisable forms in design — which makes it the perfect subject to reinterpret. In this collection, the familiar becomes expressive: forms that stretch, curve, loop, and contradict the expectations of functional furniture.
Hyperrealism as Artistic Device
Every piece is rendered as though photographed in a museum studio: perfect lighting, clean materials, refined craftsmanship. Yet the geometry steps beyond practicality into sculptural experimentation.
Quiet Absurdism
There is no chaos, no distortion — only design pushed into poetic exaggeration. The chairs feel like icons of a parallel design tradition: expressive, refined, and intentionally impractical.
Chairs transforms sculptural absurdity into design.
Other Collections
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.