Caustic · Token Detail
Caustic #109
Each token features a simple geometric form — often a circle or square — set against a soft neutral field. The form is then attacked by caustic forces: acid-burnt edges, blistered gradients, dissolved pigment, and harsh corrosive streaks of light.
The contrast between purity and destruction defines every piece.
Token information
- Collection
- Caustic
- Token ID
- #109
- Geometry
- Circle
- Palette
- Red on Beige
- Corrosion Type
- Edge Burn
- Light Caustics
- Diagonal Etch Lines
- Surface Texture
- Smooth Paper
- Rarity
- Common
Owner information
More from Caustic
Other Collections
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.