Bugs · Token Detail
Bugs #587
Every Bugs token is built from traits that describe a photographic situation: the species in view, the surrounding environment (flower, leaf, moss, bark, water edge), the time of day and lighting, the insect's pose, the focus point and depth of field, and any surface details such as dew or pollen.
The visual style is strictly ultra-realistic macro photography. Insects must be anatomically correct for their species: the correct number of legs, accurately placed antennae, proper segmentation, believable wing structure and realistic eyes and mouthparts. Backgrounds fall away into soft bokeh, while the subject is rendered with crisp, clean detail. Each image aims to feel like a real photograph you could have taken by lying in the grass and waiting for the right moment.
Token information
- Collection
- Bugs
- Token ID
- #587
- Species
- Ant (Worker)
- Environment
- Curled Leaf Edge
- Time of Day
- Bright Midday
- Lighting
- Side Light with Gentle Shadows
- Focus and Lens
- Full-Body Side Profile in Focus
- Surface Detail
- Subtle Hair and Texture Highlights
- Rarity
- Common
Owner information
More from Bugs
Other Collections
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.