Woman in Vogue · Token Detail
Woman in Vogue #126
Woman in Vogue is a 222-piece generative art collection that reimagines the feminine figure as an abstract fashion icon. Inspired by Fauvist colour, cut-paper collage and the confident simplicity of high-fashion illustration, each artwork depicts a single woman in a striking pose — elongated silhouettes, flowing lines, and bold blocks of colour. There are no logos or brand names, only the sense of a couture magazine page distilled into pure form and palette. The collection explores how little you need to say "woman, power, elegance" when you trust line, shape and colour to carry the story.

Token information
- Collection
- Woman in Vogue
- Token ID
- #126
- Abstraction Level
- Cut-Paper Collage Abstraction
- Composition
- Close-Up Upper-Body Crop
- Background
- Window Light or Arch Shape Behind Figure
- Accessory / Symbol
- Gloves, Belt or Bag Shape
- Rarity
- Uncommon
Owner information
More from Woman in Vogue
Other Collections
Chairs




Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Remanence




Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Trace




Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.


