Trace · Token Detail
Trace #422
Each token in Trace combines real-world photography with line-based interpretation. Blueprint-style contours expand the imagery outward, revealing hidden geometries, implied structures, and conceptual extensions.
The result is a mixed-media print that feels both designed and discovered.

Token information
- Collection
- Trace
- Token ID
- #422
- Photographic Theme
- Architectural Detail
- Line Interpretation
- Contour Mapping
- Collage Composition
- Dual Arrangement
- Line Density
- Sparse Lines
- Colour Theme
- Muted Duotone
- Paper Texture
- Soft Canvas Grain
- Annotations
- Measurement Marks
- Background Grid
- None
- Edge Treatment
- Clean Edge
- Photo Tone
- Natural
- Noise & Age
- Light Grain
- Rarity
- Common
Owner information
More from Trace
Other Collections
Katheros




Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Chairs




Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Remanence




Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.


