Trace · Token Detail
Trace #31
Each token in Trace combines real-world photography with line-based interpretation. Blueprint-style contours expand the imagery outward, revealing hidden geometries, implied structures, and conceptual extensions.
The result is a mixed-media print that feels both designed and discovered.

Token information
- Collection
- Trace
- Token ID
- #31
- Photographic Theme
- Botanical Fragment
- Line Interpretation
- Axonometric Scaffold
- Collage Composition
- Offset Strip
- Line Density
- Perimeter Frame
- Colour Theme
- Architectural Blue
- Paper Texture
- Blueprint Film
- Annotations
- Grid Labels
- Background Grid
- Isometric Grid
- Edge Treatment
- Deckled Impression
- Photo Tone
- Warm Shift
- Noise & Age
- Dust & Fibres
- Rarity
- Uncommon
Owner information
More from Trace
Other Collections
Glitch




Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Caustic




Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Dust




Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.


