Manifesto
Toys
555 Tokens
Toys is a celebration of mechanical imagination — a tribute to the era when playthings were crafted, not manufactured.
The Workshop of Memory
Toys recalls a time when invention lived in the hands. Each piece carries the marks of its imagined maker: polished gears, etched brass, carefully carved wood, hand-painted enamel, glass eyes, winding keys and velvet trims. These are not digital fantasies, but echoes of real craftsmanship reinvented through generative design.
Engineering Wonder
The project embraces physical plausibility. The toys feel mechanically coherent — levers, hinges, pulleys, gyroscopes, bellows, clockwork hearts. Even the fantastical items are built from real-world logic and Victorian materials.
The Spirit of Play
These toys do not move, but they seem ready to. A toy is a story waiting for a spark. Toys offers that spark — a collection of dormant imaginations engineered into form.
Other Collections
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.