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一期一会 東京 (Tokyo Once) · Token Detail

一期一会 東京 (Tokyo Once) #94

一期一会 東京 (Tokyo Once) is a 1000‑piece generative fine‑art photo‑cinema collection inspired by the Japanese concept 一期一会 — Ichigo Ichie — “this moment exists only once.” The collection honors the beauty of fleeting connection and the memory of a love that shaped eternity. Each image is crafted in ultra‑realistic 1980s film‑grain photographic style: neon rain on wet pavement, cherry blossoms falling in blue hour light, silhouettes crossing bridges, empty shrine pathways, rooftop sunsets, and reflections moving like breath across glass and water. A tribute to Tokyo as the heart remembers it: quiet, luminous, unforgettable.

Other Collections

Generation 035
Released

Remanence

Remanence #4
Remanence #2
Remanence #14
Remanence #12

Remanence is a study of the human face recorded as light over time.

Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.

These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.

Mint at $115 · Prints from £60
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Generation 037
Released

Icon

Icon #18
Icon #6
Icon #14
Icon #12

Icon is a body of work about symbols — how colour and form can carry meaning without words.

Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.

Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.

Mint at $110 · Prints from £60
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Generation 028
Released

Chairs

Chairs #42
Chairs #5
Chairs #43
Chairs #82

Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.

Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.

The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.

Mint at $72 · Prints from £45
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