一期一会 東京 (Tokyo Once) · Token Detail
一期一会 東京 (Tokyo Once) #423
一期一会 東京 (Tokyo Once) is a 1000‑piece generative fine‑art photo‑cinema collection inspired by the Japanese concept 一期一会 — Ichigo Ichie — “this moment exists only once.” The collection honors the beauty of fleeting connection and the memory of a love that shaped eternity. Each image is crafted in ultra‑realistic 1980s film‑grain photographic style: neon rain on wet pavement, cherry blossoms falling in blue hour light, silhouettes crossing bridges, empty shrine pathways, rooftop sunsets, and reflections moving like breath across glass and water. A tribute to Tokyo as the heart remembers it: quiet, luminous, unforgettable.
Token information
- Collection
- 一期一会 東京 (Tokyo Once)
- Token ID
- #423
- Time / Light
- Overcast Blue Hour
- Weather / Atmosphere
- Light Rain on Pavement
- Film Mood
- Warm 1980s Colour Film Grain
- Colour Palette
- Neon Blue and Amber Reflections
- Composition / Depth
- Strong Vanishing Point Down Alley
- Detail / Symbol
- Train Station Signage in Soft Focus
- Rarity
- Common
Owner information
More from 一期一会 東京 (Tokyo Once)
Other Collections
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.