Metawave

一期一会 東京 (Tokyo Once) · Token Detail

一期一会 東京 (Tokyo Once) #35

一期一会 東京 (Tokyo Once) is a 1000‑piece generative fine‑art photo‑cinema collection inspired by the Japanese concept 一期一会 — Ichigo Ichie — “this moment exists only once.” The collection honors the beauty of fleeting connection and the memory of a love that shaped eternity. Each image is crafted in ultra‑realistic 1980s film‑grain photographic style: neon rain on wet pavement, cherry blossoms falling in blue hour light, silhouettes crossing bridges, empty shrine pathways, rooftop sunsets, and reflections moving like breath across glass and water. A tribute to Tokyo as the heart remembers it: quiet, luminous, unforgettable.

Other Collections

Generation 031
Released

Caustic

Caustic #14
Caustic #73
Caustic #95
Caustic #60

Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.

Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.

Mint at $60 · Prints from £45
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Generation 021
Released

Dust

Dust #27
Dust #42
Dust #41
Dust #71

Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.

Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.

Mint at $60 · Prints from £45
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Generation 035
Released

Remanence

Remanence #19
Remanence #20
Remanence #12
Remanence #18

Remanence is a study of the human face recorded as light over time.

Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.

These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.

Mint at $115 · Prints from £60
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