Strobe · Token Detail
Strobe #141
Every Strobe token is a single frame of motion: waves of light cutting across deep backgrounds, layered pulses weaving in and out of phase, or sharp staccato bursts frozen mid-flash.
Waveform traits define how the light behaves — smooth sinusoids, square pulses, chaotic stacks — while colour systems, rhythm and exposure style control its emotional temperature. Some pieces feel meditative and slow; others crackle like a live stage strobe.
No objects, no typography, no characters. Just light, rhythm and the geometry of oscillation.
Token information
- Collection
- Strobe
- Token ID
- #141
- Waveform Type
- Gentle Square Pulse Train
- Light Form
- Single Neon Ribbon
- Colour System
- Ultraviolet Violet
- Rhythm
- Soft Drift
- Background
- Charcoal Grain
- Exposure Style
- Continuous Long Exposure
- Rarity
- Common
Owner information
More from Strobe
Other Collections
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.