Rise of the Soul · Token Detail
Rise of the Soul #652
Rise of the Soul is a visual pilgrimage through Dante’s Divine Comedy, reimagined as a hand‑painted animated world. The collection moves from the depths of Inferno to the cleansing slopes of Purgatorio and the vast luminous harmony of Paradiso. The style is lyrical and cinematic: soft brushstrokes, watercolor textures, floating embers and petals, atmospheric perspective, and a single small pilgrim or group of figures travelling through epic landscapes. Inferno pieces are the rarest — violent crimson caverns, rivers of fire, spirals of stone and storm — while Purgatorio scenes of mist, dawn and climbing stairways are uncommon. Paradiso is the most abundant: wide open heavens, golden clouds, concentric rings of light, and cities that seem to be built from music and air. No graphic horror, only symbolic fire and shadow; no literal theology debates, only the ascent of a soul toward light.
Token information
- Collection
- Rise of the Soul
- Token ID
- #652
- Terrain / Structure
- Terraced Hillside or Garden
- Light & Atmosphere
- Warm Sunset Light with Long Shadows
- Sky / Ceiling
- High Vault of Cloud with Gentle Gradients
- Figure Presence
- Distant Group of Tiny Silhouettes
- Symbolic Motif
- Bridge Crossing over Depths
- Emotional Tone
- Quiet Contemplation
- Rarity
- Common
Owner information
More from Rise of the Soul
Other Collections
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.